翻訳と辞書
Words near each other
・ The French House
・ The French House, Soho
・ The French Key
・ The French Kissers
・ The French Laundry
・ The French Lieutenant's Woman
・ The French Lieutenant's Woman (film)
・ The French Line
・ The French Maid
・ The French Minister
・ The French Powder Mystery
・ The French Revolution (poem)
・ The French Studies Bulletin
・ The French Suicide
・ The French Theater of Gustav III
The French Union of Modern Artists
・ The French Woman
・ The French, They Are a Funny Race
・ The Frenchman's Son
・ The Frenemy of My Enemy
・ The Frenz Experiment
・ The Frequency
・ The Frequency E.P.
・ The Frescoes of Piero della Francesca
・ The Fresh & Onlys
・ The Fresh Air Cure
・ The Fresh Air Fund
・ The Fresh Beat Band
・ The Fresh Grocer
・ The Fresh Market


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The French Union of Modern Artists : ウィキペディア英語版
TODO (notes to self) Redirects required=UAM; Union des Artistes Moderne; Union of Moderne Artists. Move Translate template to discussion. Add additional to fr page.-->The Union des Artistes Moderne (UAM) was a movement made up of decorative artists and architects founded in France on 15 May 1929Arlette Barré-Despond & Suzanne Tise, Jourdain, Rizzoli NY 1991, Copyright 1988 Editions du Regard, p.330 and active until 1959.Initially made up of around 20 dissidents of the Société des Artistes-Décorateurs (SAD) and led by Robert Mallet-Stevens, the UAM offered a strong and militant alternative to the SAD. Motivated towards making a clean break from the past and struggling against objects ''in style'', artists of the union proclaimed 'We must rise up against everything that ''looks rich'', against whatever is ''well made'', and against ''anything inherited from grandmother''...impose will where habit is not invoked...overcome the habit of the eyes'. Young makers of jewellery joined the union with aims to create works of art in their field through the use of less expensive materials, making it more accessible than the current trend of expensive ''bijoux blancs''.UAM members participated annually in the Salon d'Automne with an exhibit created by 'The Group', and emphasized design over decoration. Interiors were designed to function with concrete, steel and glass architecture and furniture made of metallic structures was arranged within, without additional decoration. Their message was amplified through various shows and manifesto's (its first in 1934 'For Modern Art as a Frame for Contemporary Life') and activity peaked at the 1937 World's Fair in Paris where Francis Jourdain's rationalist work was displayed in his interior design for A Workers Home; Marcel Gascoin's storage and organization capabilities were displayed in his library exhibit; Charlotte Perriand exhibited folding chairs with steel tubing; and Jean Prouvé introduced one of the first chairs constructed with the new material - Plexiglas.Members included as 'Actifs' on the 'catalogue de la première exposition de l'UAM, 1930 (catalogue of the first exhibition, 1930)':* Charlotte Alix (1897–1987)* Pierre Barbe* Louis Barillet (1880–1948)* Georges Bastard (1881–1939)* Jean Burkhalter (1895–1982)* Jean Carlu (1900–1989)* Paul Colin (1892–1985)* Etienne Cournault (1891–1948)* Joseph Csaky (1888–1971)* Sonia Delauney (1885–1979)* Jean Dourgnon (1901–1985)* Jean Fouquet (1899-1984)* Eileen Gray (1879–1976)* Hélène Henry (1891–1965)* René Herbst (1891–1982)* Lucie Holt-Le-Son (1899-???)* Francis Jourdain (1876–1958)* Robert Lallemant (1902–1954)* Jacques Le Chevallier (1896–1987)* Robert Mallet-Stevens (1886–1945)* Pablo Manes (1891–1962)* Jan & Joel Martel (1896–1966)* Gustave Miklos (1888–1967)* Jean Charles Moreux (1885–1956)* Charlotte Perriand (1903–1999)* Jean Prouvé (1901–1984)* Jean Puiforcat (1897–1945)* André Salomon (1891–1970)* Gérard Sandoz (1914–1988)* Louis Sognot (1892–1969)* Raymond Templier (1891–1968)* ''Œvres'' de Pierre Legrain (1889–1929)Other members include:* Rose Adler (1892–1969)* Francis Bernard* André Bloc (1896–1966)* A.-M. Cassandre (1901–1968)* Philippe Charbonneaux (1917)* Pierre Chareau (1883–1950)* Marcel Gascoin (1907–1986)* Adrienne Gorska (1899–1969)* Pierre Guariche (1926–1995)* Gabriel Guevrekian* Charles-Edouard Jeanneret (Le Corbusier) (1887–1965)* Pierre Jeanneret (1896–1967)* Frantz-Philippe Jourdain* Jean Lambert-Rucki* Claude Lemeunier* Charles Loupot* André Lurçat,* Mathieu Matégot (1910–2001)* Charles Peignot* Georges-Henri Pingusson (1894–1978),* Claude Prouvé (1929)* Robert Le Ricolais (1894–1977)* Carlo Rim (1905–1989)* André Salmon* Roger Tallon (1929)* Maximilien Vox== Bibliography ==*** *


The Union des Artistes Moderne (UAM) was a movement made up of decorative artists and architects founded in France on 15 May 1929〔Arlette Barré-Despond & Suzanne Tise, Jourdain, Rizzoli NY 1991, Copyright 1988 Editions du Regard, p.330〕 and active until 1959.
Initially made up of around 20 dissidents of the Société des Artistes-Décorateurs (SAD) and led by Robert Mallet-Stevens, the UAM offered a strong and militant alternative to the SAD. Motivated towards making a clean break from the past and struggling against objects ''in style'', artists of the union proclaimed 'We must rise up against everything that ''looks rich'', against whatever is ''well made'', and against ''anything inherited from grandmother''...impose will where habit is not invoked...overcome the habit of the eyes'. Young makers of jewellery joined the union with aims to create works of art in their field through the use of less expensive materials, making it more accessible than the current trend of expensive ''bijoux blancs''.
UAM members participated annually in the Salon d'Automne with an exhibit created by 'The Group', and emphasized design over decoration. Interiors were designed to function with concrete, steel and glass architecture and furniture made of metallic structures was arranged within, without additional decoration. Their message was amplified through various shows and manifesto's (its first in 1934 'For Modern Art as a Frame for Contemporary Life') and activity peaked at the 1937 World's Fair in Paris where Francis Jourdain's rationalist work was displayed in his interior design for A Workers Home; Marcel Gascoin's storage and organization capabilities were displayed in his library exhibit; Charlotte Perriand exhibited folding chairs with steel tubing; and Jean Prouvé introduced one of the first chairs constructed with the new material - Plexiglas.
Members included as 'Actifs' on the 'catalogue de la première exposition de l'UAM, 1930 (catalogue of the first exhibition, 1930)':
* Charlotte Alix (1897–1987)
* Pierre Barbe
* Louis Barillet (1880–1948)
* Georges Bastard (1881–1939)
* Jean Burkhalter (1895–1982)
* Jean Carlu (1900–1989)
* Paul Colin (1892–1985)
* Etienne Cournault (1891–1948)
* Joseph Csaky (1888–1971)
* Sonia Delauney (1885–1979)
* Jean Dourgnon (1901–1985)
* Jean Fouquet (1899-1984)
* Eileen Gray (1879–1976)
* Hélène Henry (1891–1965)
* René Herbst (1891–1982)
* Lucie Holt-Le-Son (1899-???)
* Francis Jourdain (1876–1958)
* Robert Lallemant (1902–1954)
* Jacques Le Chevallier (1896–1987)
* Robert Mallet-Stevens (1886–1945)
* Pablo Manes (1891–1962)
* Jan & Joel Martel (1896–1966)
* Gustave Miklos (1888–1967)
* Jean Charles Moreux (1885–1956)
* Charlotte Perriand (1903–1999)
* Jean Prouvé (1901–1984)
* Jean Puiforcat (1897–1945)
* André Salomon (1891–1970)
* Gérard Sandoz (1914–1988)
* Louis Sognot (1892–1969)
* Raymond Templier (1891–1968)
* ''Œvres'' de Pierre Legrain (1889–1929)
Other members include:
* Rose Adler (1892–1969)
* Francis Bernard
* André Bloc (1896–1966)
* A.-M. Cassandre (1901–1968)
* Philippe Charbonneaux (1917)
* Pierre Chareau (1883–1950)
* Marcel Gascoin (1907–1986)
* Adrienne Gorska (1899–1969)
* Pierre Guariche (1926–1995)
* Gabriel Guevrekian
* Charles-Edouard Jeanneret (Le Corbusier) (1887–1965)
* Pierre Jeanneret (1896–1967)
* Frantz-Philippe Jourdain
* Jean Lambert-Rucki
* Claude Lemeunier
* Charles Loupot
* André Lurçat,
* Mathieu Matégot (1910–2001)
* Charles Peignot
* Georges-Henri Pingusson (1894–1978),
* Claude Prouvé (1929)
* Robert Le Ricolais (1894–1977)
* Carlo Rim (1905–1989)
* André Salmon
* Roger Tallon (1929)
* Maximilien Vox
== Bibliography ==

*
*
*
*

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「TODO (notes to self) Redirects required=UAM; Union des Artistes Moderne; Union of Moderne Artists. Move Translate template to discussion. Add additional to fr page.-->The Union des Artistes Moderne (UAM) was a movement made up of decorative artists and architects founded in France on 15 May 1929Arlette Barré-Despond & Suzanne Tise, Jourdain, Rizzoli NY 1991, Copyright 1988 Editions du Regard, p.330 and active until 1959.Initially made up of around 20 dissidents of the Société des Artistes-Décorateurs (SAD) and led by Robert Mallet-Stevens, the UAM offered a strong and militant alternative to the SAD. Motivated towards making a clean break from the past and struggling against objects ''in style'', artists of the union proclaimed 'We must rise up against everything that ''looks rich'', against whatever is ''well made'', and against ''anything inherited from grandmother''...impose will where habit is not invoked...overcome the habit of the eyes'. Young makers of jewellery joined the union with aims to create works of art in their field through the use of less expensive materials, making it more accessible than the current trend of expensive ''bijoux blancs''.UAM members participated annually in the Salon d'Automne with an exhibit created by 'The Group', and emphasized design over decoration. Interiors were designed to function with concrete, steel and glass architecture and furniture made of metallic structures was arranged within, without additional decoration. Their message was amplified through various shows and manifesto's (its first in 1934 'For Modern Art as a Frame for Contemporary Life') and activity peaked at the 1937 World's Fair in Paris where Francis Jourdain's rationalist work was displayed in his interior design for A Workers Home; Marcel Gascoin's storage and organization capabilities were displayed in his library exhibit; Charlotte Perriand exhibited folding chairs with steel tubing; and Jean Prouvé introduced one of the first chairs constructed with the new material - Plexiglas.Members included as 'Actifs' on the 'catalogue de la première exposition de l'UAM, 1930 (catalogue of the first exhibition, 1930)':* Charlotte Alix (1897–1987)* Pierre Barbe* Louis Barillet (1880–1948)* Georges Bastard (1881–1939)* Jean Burkhalter (1895–1982)* Jean Carlu (1900–1989)* Paul Colin (1892–1985)* Etienne Cournault (1891–1948)* Joseph Csaky (1888–1971)* Sonia Delauney (1885–1979)* Jean Dourgnon (1901–1985)* Jean Fouquet (1899-1984)* Eileen Gray (1879–1976)* Hélène Henry (1891–1965)* René Herbst (1891–1982)* Lucie Holt-Le-Son (1899-???)* Francis Jourdain (1876–1958)* Robert Lallemant (1902–1954)* Jacques Le Chevallier (1896–1987)* Robert Mallet-Stevens (1886–1945)* Pablo Manes (1891–1962)* Jan & Joel Martel (1896–1966)* Gustave Miklos (1888–1967)* Jean Charles Moreux (1885–1956)* Charlotte Perriand (1903–1999)* Jean Prouvé (1901–1984)* Jean Puiforcat (1897–1945)* André Salomon (1891–1970)* Gérard Sandoz (1914–1988)* Louis Sognot (1892–1969)* Raymond Templier (1891–1968)* ''Œvres'' de Pierre Legrain (1889–1929)Other members include:* Rose Adler (1892–1969)* Francis Bernard* André Bloc (1896–1966)* A.-M. Cassandre (1901–1968)* Philippe Charbonneaux (1917)* Pierre Chareau (1883–1950)* Marcel Gascoin (1907–1986)* Adrienne Gorska (1899–1969)* Pierre Guariche (1926–1995)* Gabriel Guevrekian* Charles-Edouard Jeanneret (Le Corbusier) (1887–1965)* Pierre Jeanneret (1896–1967)* Frantz-Philippe Jourdain* Jean Lambert-Rucki* Claude Lemeunier* Charles Loupot* André Lurçat,* Mathieu Matégot (1910–2001)* Charles Peignot* Georges-Henri Pingusson (1894–1978),* Claude Prouvé (1929)* Robert Le Ricolais (1894–1977)* Carlo Rim (1905–1989)* André Salmon* Roger Tallon (1929)* Maximilien Vox== Bibliography ==*** * 」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.